No bucks, no Starbucks

26 12 2008

How to get your money abroad – ATMs, cash or travelers checks? That´s a preety common question to be answered at the first time we are going to travel abroad. Some people are worried about safety, other travellers, about economy. And most of them are concerned about both issues.

Travellers checks ensure you a fixed exchange rate, so they make it easier to stick to your budget. The big drawback is that some places change them at a hefty exchange rate, or charge a comission.  American Express website lists banks worldwide which change their checks free of charge, and so far they are a good option in major cities.

Some people are moving to the so-called travel money . It´s the modern cousin of traveller cheques – you fill it back home, and withdraw money at VISA ATMs, for example. Those cards can be blocked in case of stealth, as are the travellers checks.

And what the old-fashioned money belt filled with money? It’s inconvenient and unsafe. However, having some hard currency at hand is essencial for not getting stuck in some situations. Imagine a US$25 visa-on-arrival fee, an empty wallet, and you can get the whole picture. And don’t understimate the bureucratic skills of some organisations – once I needed US dollars to pay a fee to the Brazilian Embassy in Mozambique.

Bank card – Beware the tiny letters

Last but not least, the ATMs. You look for a Visa or Mastercard ATM machine, use your bank card, type a 6-digit PIN and withdraw money from your current account.  They  usually charge you a small ammount for every operation, and some extra fees.

There are two points to consider about that “extra”, though. First, your card operator converts the withdrawn ammount to US dollars, and if your account is outside the US, they will convert it again to take the money from your piggy safe. On my leave of absense in China, the RMB to USD, and USD to BRL conversions meant an average 3% loss compared to taking traveller cheques.

Last but not least, make sure your bank card abroad withdraws money from your current account, and doesn´t do it from your credit account. During my first trip abroad, in 2004, I was using my Visa and choosing the option “current account” from the ATMs. One day, the card stopped working, though there was some money in my current account. After a couple days I figured out my bank was taking the money from my credit account, anyway. That is, it would charge ridiculous interest rates. Even today, that happens with Bank of Brazil cards abroad. If you’re not sure how things will work, don’t leave all your eggs in one single basket.

The bottom line

Even though we lose a little money by using ATMs, even long term expats enjoy them. For a trip, probably the best strategy is to mix your sources. A possible scenario:
1. Some US dollars or euros, specially in case of a trip involving multiple countries. They´ll work for paying on-arrival visas, and can be exchanged easily for local currency before you find an ATM or can change traveller cheques;

2.  If you’re going on a shorter trip, try using travel money instead of travellers checks.

3. On the other hand, longer trips can benefit of  your bank card. As you hit the road, probably there´s a paycheck on the way, for example. I don’t thing paying US$3 for each withdrawal is a big deal compared to spending a whole morning looking for a decent exchange rate or being worried about a money belt with 1000 euros in it. Check at home if your card is enabled to be used abroad;

Anyway, make sure beforehand that you can find ATMs on the destination (Visa and Mastercard websites provide that information).





Interesting questions, answered by PopPhoto.com

25 11 2008

PopPhoto.com´s just published a very nice article containing 20 questions about photography. Their answers go straight to the point. And some of them are worth further discussion here.

http://www.popphoto.com/popularphotographyfeatures/5647/tech-support-special.html





The Colosseum

20 11 2008

 

Gladiators, Lions and a big line of tourists

Home of gladiators, tigers and a big line of tourists

Some landmarks impress not only because of their size, or architecture. They are so well known that you see them all your life through the media, and one day one of them is there, so alive, before your eyes. 

The Colosseum is a good example of that. It represents, itself, Italy. You can wander in the some piazza and maybe you think it could fit somewhere else in Europe. However, it’s impossible to have that feel while walking around that ancient stadium.

 About the picture

A lot of people like to take pictures from the whole Colosseum. Naturally, I’ve got mine, too. And they seem like a thousand postcards sold on every corner. 

Therefore, I preferred to get a snapshot which could show both some detail and give an idea of where it took place. Hopefully, some visitors will agree with me.





Small cameras, great shots – part II

17 11 2008

On part I we talked briefly about the drawbacks of the automatic mode of digital cameras. Now it’s time to talk a little about the exposure meter, and that knowledge can improve pictures a lot. 

When you focus on a scene, the camera checks how much light is available on that environment, and ajusts itself to produce sort of an “average” scene, as we already know. The main problem is: what if that scene was supposed to be a bit dark?

Probably the camera will take the picture with a very slow shutter speed, so you get the so-called average image, taking a balanced distribution of dark and bright spots on the scene. But chances are some points get too bright, or moving elements get blurry. 

To solve those special cases, most cameras come with a menu to change exposure. Roughly speaking, it’s like you’re saying to your camera: “this scene is supposed to be a bit darker than your average picture”.

Anyway, with that method the camera will help itself by setting automatically the shutter speed and the apperture. That approach is very convenient. 

Unfortunately, there isn’t a standard button among different camera models. Most cameras follow the traditional “P” mode, on which you can control the exposure up and down. As a rule of thumb, when I’m on a darker room, I set it down a few steps, take a picture and check on the viewfinder if that setting is ok. 

Of course, don’t forget to set the exposure to the default value, in order to prepare the camera for ideal light conditions.

legong-dance-2092

Legong Dancer, Bali - flashes were forbidden on that presentation, and even with exposure set a few steps below, her hands are shown a little blurry. But the main subject of the scene - her face, looks preety sharp








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